Dillan Marsh

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Carnival Map 2016-08-01

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boilersuits 2016-07-13

Tags: research / work / trade / product / blue / production / team / range / body / black / costume / yellow / sale / livery / orange / kit / disguise / boilersuits / overalls / suit / uniform /

Cash & Carry, Entree 2015-12-10

Entree
Cash & Carry
05.12 � 09.01
Markeveien 4b

5012 Bergen

Tue 12- 6pm
Wed 12- 6pm
Thu 12- 8pm
Fri 12- 6pm
Sat 12- 6pm
Sun 14- 7pm

Marthe Elise Stramrud, Sveinung Rudjord Unneland, Tom Kosmo, Azar Alsharif, Lasse Arikstad, Dillan Marsh, Magnhild oen Nordahl, Cato Loland, Bjorn Mortensen, Toril Johannessen, Heidi Bjorgan, Stian Adlandsvik, Lars Korff Lofthus, Bjorn-Henrik Lybeck, Johanna Lettmayer, Anngjerd Rustand, Julie Lillelien Porter, Anne Marthe Dyvi, Borghild Rudjord Unneland, Malin Lennstrom-Ortwall, Kay Arne Kirkebo, Randi Nygard, Tatiana Lozano, Klara Sofie Ludvigsen, Lisa Him-Jensen, Torgrim Sund, Kirsti van Hoegee, Sif Ankergard, Gabriel Johann Kvendseth, Terence Koh, Scott Elliott, Trollkrem, Linn Pedersen, Tag Andersson, Kristin Tarnesvik, Vilde Salhus Roed.

Cash & Carry, Entree

Tags: work / exhibition / documentation / system / cycle / light / studio / sun / orbit / Entree / costume / solar / order / 2015 / archetype / mask / double / disguise / collage / cosmos / constellation / press_release / Randi_Grov_Berger / Francois_Hugo / spectrum / planets / Nestle / star / gold / Peter Cailler / Hugo_and_the_Cosmos / Hugo_and_the_Planets /

Comedy and Tragedy, Collage 2015-02-14

Tags: work / exhibition / recent_work / documentation / photograph / collaboration / repeat / box / cycle / energy / ritual / darkness / studio / orbit / Eleanor_Clare / universe / costume / 2015 / mask / carnival / dance / double / therapy / disguise / collage / dizzy / chaos / spinning / theatre / sick / Comedy_and_Tragedy / tape / head / rubbing / mummers / sandpaper /

Comedy and Tragedy, Text 2014-02-08

Comedy and Tragedy
text by Eleanor Clare, 2014, published in NEVERODDOREVEN, Deuxpiece and Buro fur Problem, Basel

I was frantic, feeling a little sick and dizzy, but determined to carry on.
What had to be done, had to be done. It was a desperate attempt.
It was a hollow action.
It was just doing for the sake of doing.
It was doing to find some momentary release from the feeling of total inertia, of being stuck.
Now I must talk of hollow laughter.
Some say it is the laughter of a psychopath: cold, hard, unfeeling.
I say it is simply laughter at the end of the tether.
They say, if you don't laugh you'll cry.
I have been laughing this way.
I cry until I laugh, and laugh until I cry.
There is not much in between, but for an empty and desolate expanse stretching out ahead.
When I am laughing, I do not know if the laughter itself feels unreal, or if I myself am unreal.
It seems like I have been caught by something I cannot quite grasp.
I am in its grip: the grip of humour.
Watching myself on a screen, I make myself laugh, for I am hysterical.
Here I am comedy.
I laugh a senseless, reasonless laughter that has no meaning, other than to shake and move in a way that is ridiculous.
It is laughter in the extreme, because it cannot end until it reaches the opposite pole: tragedy.

*

"Emotions exist beyond time, as the pulse of pure physical connection to the world and its music.
Like music, they are a form of movement _ the origin of the word emotion lies in the Latin, emovere, to move out, remove, agitiate."
(Little)

Tags: work / recent_work / documentation / photograph / text / collaboration / repeat / loop / box / movement / game / video / ritual / darkness / artificial / empty / studio / collapse / publication / orbit / communicaton / body / action / Eleanor_Clare / universe / screen / costume / edition / dance / mask / carnival / archetype / motion / disguise / 2014 / circus / dizzy / dvd / spinning / speed / theatre / sick / Comedy_and_Tragedy / cardboard / emotional / excitement / shaking / Buro_fur_Problem / Deuxpiece / NEVERODDOREVEN / Basel /

untitled installation, Bomb Factory, London 2013-10-19