Dillan Marsh


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The Travels of The Toucher, Assembly House, Leeds 2015-12-15

The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds
The Travels of The Toucher

Dillan Marsh & Eleanor Clare

Video projection with audio played through a bass amp, 45 sec. loop
Framed digital C-print, 60x85cm
Audio, played through a mini guitar amp, 5.20min. loop
Digital photograph on 32 inch monitor
Stud wall with two poke holes cut through it
Five terracotta clay objects on different sized plinths
Framed painting, acrylic on two 21x15cm sheets of paper
Work lamp, lighting back yard
Publication, in edition of 50

The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds

Tags: work / exhibition / recent_work / documentation / photograph / text / collaboration / loop / box / cycle / video / ritual / print / darkness / light / collection / installation / studio / time / publication / sculpture / body / Eleanor_Clare / noise / plinth / screen / creation / plastic / landscape / show / sound / 2015 / view / film / rock / connection / hole / audio / chaos / Edinburgh_Sculpture_Workshop / earth / matter / wall / nature / speaker / Yorkshire_Sculpture_Park / megalith / sound_system / nature / water / Assembly_House_Studios / shrine / acoustic / barrier / rubish / projection / site / voice / Bergen_Kommune / The_Travels_of_The_Toucher / Norsk_Kulturradet / About_Time / ceramic / feel / hands / back / Mike_Winnard / gap / winter / Ellie_MacGarry / Rufus_Newell / clay / Lester_Drake / Tigh_na_Cailleach / ancient / Matt_Wheeldon / C-print / Arthurs_Seat / New_Haven_Bay / monitor / whispering / Granton_Mound / Poke_Holes / lamp / painting / Halhjem_Helleristninger / The_Hand_and_the_Hole / bass_amp /


Too Loud a Solitude 2015-07-18



For thirty-five years now I've been compacting waste-paper, and if I had it all to do over I'd do just what I've done for the past thirty-five years. Even so, three or four times a year my job turns from plus to minus: the cellar suddenly goes bad, the nags and niggles and whines of my boss pound in my ears and head and make the room into an inferno; the wastepaper, piled to the ceiling, wet and moldy, ferments in a way that makes manure seem sweet, a swamp decomposing in the depths of my cellar, with bubbles rising to the surface like will-o'-the-wisps from a stump rotting in the mire. And I have to come up for air, get away from the press, but I never go out, I can't stand fresh air anymore, it makes me cough and choke and sputter like a Havana cigar. So while my boss is screaming and wringing his hands and raining threats down on me, I slip away and set off in search of other basements, other cellars.
Most of all I enjoy central-heating control rooms, where men with higher education, chained to their jobs like dogs to their kennels, write the history of their times as a sort of sociological survey and where I learned how the fourth estate was depopulated and the proletariat went from base to superstructure and how the university-trained elite now carries on its work. My best friends are two former member of our Academy of Sciences who have been set to work in the sewers, so they've decided to write a book about them, about their crissings and crossings under Prague, and they are the ones who taught me that the excrement entering the sewage plant at Podbaba on Sundays differs substantially from the excrement entering it on Mondays, and that each day is so clearly differentiated from the rest that the rate of flux may be plotted on a graph, and according to the ebb and flow of prophylactics one may determine the relative frequency with which varying sections of Prague indulge in sexual intercourse.

Too Loud a Solitude, Bohumil Hrabal, 1976, translation Michael Henry Heim


Tags: research / work / text / cycle / print / desire / darkness / quote / body / noise / process / dysfunctional / destroy / residue / dizzy / boilersuits / sick / decay / Accidie / melancholy / paper_mache / garbage / cellar / sewer / Bohumil_Hrabal / will-o-the-wisp / book /


untitled collection, Skjoenne Sjeler 2014-09-09




- collage with Francois Hugo dans son atelier and a stamp from the Album Nestle, Series 22
- role playing dice with the numbers removed and in the forms of the 5 Platonic Solids
- collage with Bulgari advertisement Eternal Values and bookmark with Vanitas by Jan van Huysum
- RUSH, Yikes and Power Promotions (1992) on a small white stool
- Collage with Odyssey, a Journey into Dance and postcard Urnascher Sylvesterchause
- Trophy, marble base, universal imperial spanner and chocolate wrapper
- Tomorrow is Born, Acidica Productions (Shepton Mallet, 1992)
- postcard of Arosa 1800m, Innerarosa, Alpentobel, Erzhorn
- digital machine timer Red Lion 202/95EC (counting the time in milliseconds)
- NEW AGE (Milton Keynes)
- a toy Halloween pumpkin
- mono-print on paper Mayhem in 1990 printed with an empty black ink cartridge


untitled collection, Skjoenne Sjeler untitled collection, Skjoenne Sjeler untitled collection, Skjoenne Sjeler

Tags: work / exhibition / commerce / recent_work / documentation / fair / cycle / energy / production / ritual / print / space / collection / installation / Norway / time / sculpture / New_Age / noise / black / costume / white / death / scenery / plastic / creation / orange / landscape / music / geometry / cube / carnival / dance / mask / pyramid / 2014 / new / motion / advetisement / collage / presentation / summer / future / poster / Trophy / cosmos / club / chair / postcard / wall / riot / nature / cruise / rave / rainbow / still_life / constellation / solar_system / Francois_Hugo / band / tool / festival / colour / Rush / Seljord / Skjoenne_Sjeler / flyer / triangle / free-party / gold / Nestle / Ellen_H_Suhrke / M25 / vegetable / Hugo_and_the_Cosmos / utopia / Anond_Versto / Oystein_Wyller_Odden / odyssey / mono-print / polygon / hour_meter / timer / Vanitas / Kohler / eternal / Dodecahedron / stripes / Infernal_Eternal / platonic_solids / Sunderland / Mayhem / 1990 / hexagon / Jan_van_Huysum / mountain / Bulgari / stool / Piramid Stage / Out_of_Key / Tomorrow_is_Born / Arosa / Urnascher_Sylvesterchause / pumpkin / spanner / Milton_Keynes / marble / Shepton_Mallet / Odyssey_and_Sylvesterchlause / 1992 / Halloween / chocolate /


untitled installation, Skjoenne Sjeler 2014-07-13

untitled installation, Skjoenne Sjeler untitled installation, Skjoenne Sjeler untitled installation, Skjoenne Sjeler

Tags: work / exhibition / recent_work / stage / documentation / repeat / loop / fair / arena / vehicle / temporary / transport / car / cycle / movement / energy / video / ritual / drive / desire / light / circle / darkness / installation / Norway / sun / time / action / noise / universe / lights / solar / landscape / carnival / archetype / custom / view / camp / 2014 / motion / machismo / field / crowd / dizzy / burn / panoramic / chaos / dvd / spinning / trick / speed / Burnout / speaker / sound_system / constellation / rave / cruise / theatre / pool / camera / festival / free-party / Rush / Skjoenne_Sjeler / Seljord / Anond_Versto / cruising / Oystein_Wyller_Odden / Ellen_H_Suhrke / river / free_party / Rhine / nitrogen / car_park / sunrise / russ / techno / concert / tunnel /


Flare 2014-02-23

Flare

Tags: research / energy / darkness / light / collapse / action / noise / order / fire / crowd / burn / riot / flag / barrier / overcome / flare /


untitled installation, Bomb Factory, London 2013-10-19

untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London photography Ben Turner untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London untitled installation, Bomb Factory, London

Tags: work / exhibition / recent_work / documentation / photograph / equipment / component / repeat / stand / loop / vehicle / race / structure / belief / car / cycle / driving / energy / video / drive / ritual / print / circle / darkness / space / installation / collection / 2013 / collapse / orbit / time / action / New_Age / noise / black / animation / costume / screen / tube / solar / sound / scaffold / music / gallery / geometry / modified / mask / cube / dance / custom / film / pyramid / wheel / rock / fire / shelving / machismo / tire / disguise / burn / presentation / dome / helmet / steel / rubber / dvd / riot / Burnout / speed / club / road / postcard / solar_system / rave / roundabout / Francois_Hugo / phenomena / cardboard / band / spectrum / rubish / planets / tank / march / drum / ladder / free-party / Nestle / Archway / london / Peter Cailler / Kohler / hour_meter / John Higgins / Infernal_Eternal / platonic_solids / Sunderland / geo-dome / Piramid Stage / 1981 / 2000 / Guisers / drinking_straws / Glastonbury / Marduk / dice / Nothing_About_Trees / E_C_Cawte /


Sound Systems 2013-09-08

Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems Sound Systems

Tags: research / stage / photograph / equipment / stand / system / box / fair / temporary / collection / escape / noise / New_Age / sound / scaffold / modified / music / carnival / dance / pyramid / custom / big / pile / platform / audio / crowd / set / summer / wave / speaker / wall / club / listening / sound_system / acoustic / sub / case / rectangle / stack /


Speakers 2013-09-08

Speakers

Tags: research / product / component / system / box / noise / cabinate / sound / double / custom / audio / listening / sound_system / acoustic / case /


Modified Car Cruise Burnout 2013-09-08

Modified Car Cruise Burnout

Tags: research / competition / photograph / arena / vehicle / race / transport / car / movement / driving / energy / ritual / drive / circle / escape / action / noise / sound / modified / custom / engine / destroy / fire / wheel / machismo / tire / burn / crowd / track / rubber / Burnout / road / club / cruise / hot_rod / balance /


Burnout 2013-09-08

Burnout

Tags: research / competition / photograph / sport / arena / race / vehicle / cycle / movement / driving / energy / drive / ritual / circle / team / action / noise / sound / modified / wheel / engine / fire / custom / tire / machismo / burn / rubber / helmet / track / road / Burnout / cruise / Goodyear / bike / motorcycle /


Burnout (text by Eleanor Clare) 2013-08-14



Burn Out

Through the grainy unsteady image and the sound, distorted by low quality compression, it
seems like something is trying to break through. The first few seconds sound like noise
pulled through a synthesizer, screaming and kicking as it emerges, fighting for life in its new
digital form. Something about it is alarming, frightening, tortured and angry. It is half-formed,
raw and unrefined. Streaks of red and white light flash across the screen.

It is an arena for action. Something about this situation that is chaotic; yet there is an
element of control. The driver makes tight circles around a central axis. At first this is
demarcated by a traffic cone, but as things proceed, the silhouette of a young man moves into the
centre. The car stops and revs up, creating billows of smoke in the air, obliterating vision for
a few moments. As the car skids and screeches, I feel a sense of alarm. This is coming close to
disaster for the lone, central figure, potential victim of the anonymous driver, a sacrifice for
the entertainment of onlookers. I can sense also the collusion. One figure willingly places his
trust in the other. There is a tension between these two.

*

A smoky, fiery object is spinning recklessly. One might say things had spun out of control.
Not quite though; for to completely lose control would mean total destruction. It would mean the
end. It all went up in flames. This is a sudden, intense and short lived burst of energy. More
like a supernova than the sun, and more akin to a meteor careering around a planet, than a planet
orbiting the sun. It was more than this, though. This scene was not simply about objects in space;
it was human. It was a game or a task, perhaps even a ritual.

Although I can identify it as a human activity, shot through with the implications of one's
relationship to another, from my vantage point it also seemed anonymous. In the dark, these
figures could be anyone, totally unrecognisable by the light of day. In this moment they had a
relationship to one another. Certainly for the two central protagonists, it was one of great
significance and trust. At any other time, on any other level, it was unclear. In this sense, the
action had become symbolic. The figures could be understood as archetypes. Ones which, for reasons
I cannot yet identify, I associate with the masculine.

***

In the threat of a loss of control, images had already flooded my mind. I remember as the
helicopters circled in the air above my house one evening in August. I had no idea why it was
happening, but this circling was incessant, the noise repeatedly coming close and fading away,
swelling and receding, but never quite out of my consciousness. It always gives me a slight sense
of unease, the idea of something being under surveillance, coupled with the notion that something
might be wrong. Why this surveillance from such a great height? It is a safe distance for the one
who watches. Then I remembered the destruction that had taken place, just minutes away from my home.
The aerial images of buildings and cars set alight, and rioters surging through the streets, anonymous
from this point of view. London's Burning.





Tags: work / recent_work / sport / text / collaboration / loop / arena / vehicle / race / car / movement / cycle / driving / game / energy / video / drive / ritual / darkness / circle / light / 2013 / publication / orbit / action / body / Entree / Eleanor_Clare / noise / death / lights / show / course / June_Twenty_First / dance / engine / wheel / custom / fire / destroy / machismo / tire / burn / crowd / rubber / road / riot / Burnout / roundabout / Apis_Press / hot_rod / london /


Camilla Brochs-Haukedal, Kunstforum Review 2013-07-12

KUNSTforum

Fart, glede og kosmiske referanser

Camilla Brochs-Haukedal - 12.07.2013

Med utstillingen June Twenty-First pa entree i Bergen, byr Dillan Marsh pa flere assosiasjoner, fra pop art til motorsykkellop, fra midtsommerfeiring til reklameskilt.

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

Slagverk, motorsykkel og reklame

Gjennom en stor skjelettlignende stalkonstruksjon trer vi inn i Dillan Marshs (f. 1980, UK) romdekkende installasjon, June Twenty-First, laget spesielt for entree. Utstillingen bestar av flere komponenter som hver for seg fungerer som selvstendige verk, men utstillingen har en tittel og ingen verksliste, det er derfor naturlig a lese den som en installasjon.

Langs veggene, innenfor porten, er det snekret opp benker, eller temporaere tribuner, umalte og ubehandlede. Med en skranende fremside er de litt ubehagelige a sitte pa, og uten a ha bli invitert til det, hadde jeg nok ansett dem som en ramme rundt resten av utstillingen, en ramme som for ovrig fint knytter de enkelte verkene sammen til en helhet i rommet.

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

I midten av hesteskoen av tribuner troner fire soyler i forskjellig hoyde, bygget opp av gummidekk, trommer, flerkantede esker og motorsport-hjelmer. alle komponentene ser ut til a vaere godt brukt og baerer preg av a ha levd et liv for de som object trouve; ble deler av Marshs kunstverk.

Bak soylene pa motsatt vegg, vis a vis inngangsdoren, er to flagg i kryss i rod og gult. Fargene og monstrene gar igjen i den store stripen som dominerer hele vindusveggen til entree, og pa skjermene som apenbarer seg i sideblikket idet man gar inn i rommet. Denne skulpturen er satt sammen av tre skjermer, stroppet sammen i en stabel. Bildene pa skjermene varierer i hastighet og virker bade forstyrrende og samtidig levende og livlig, mye takket vaere fargene og de raske, repetetive bevegelsene.

a day at the races

Dekkene, flaggene, materialene og ikke minst hjelmene, sammen med en sterkt tilstedevaerende lukt av gummi fra dekkene og de sterke fargene gult og rodt, gjor; det vanskelig a losrive seg fra assosiasjoner til motorsykkellop. Jeg innrommer et tidligere flerarig fan-forhold til eurosport, MotoGP, alex Barros og Valentino Rossi, men selv uten dette er assosiasjonen svaert naerliggende.

Med gult og rodt som dominante farger i utstillingen, er assosiasjoner til store reklameskilt for bensinstasjoner som Shell heller ikke langt unna. Marsh har tidligere brukt grep fra reklameskilt og merkevarebygging i sine verk. I utstillingen June Twenty-First er det selve virkemidlene i den kommersielle markedsforingen Marsh tar i bruk: de sterke fargene, brandingen av entrees store vindu og det repetetive monsteret pa skjermene.

Med utstillingen gjor Marsh galleriet til en storre del av sin utstilling enn bare et rom a vise kunsten i. entrees egen logo er fjernet fra vinduet, i stedet er vinduene dominert av to store, rode linjer som motes i en spiss i midten og som gjor entree svaert synlig fra utsiden, et blikkfang i gaten pa samme mate som de store Shell-skiltene er langs motorveiene. Som entree skriver pa sin nettside: 'entree finds itself re-branded and built into the concept of the work on show'.

Med disse grepene er referansene til pop art ogsa sterkt tilstedevaerende, i bade bade form og innhold. De sterke fargene og det repetetive monsteret samt Marshs bevisste bruk av kommersiell markedsforingsvirkemidler kan ikke annet enn a gjenkalle andy Warhol.

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

a samles rundt balet

Apningsdagen til Marshs utstilling falt pa 21. juni, som er sommersolverv, arets lengste dag. Fest og feiring er assosiert med tiden rett etter denne dagen i aret med flest soltimer. Her i Norge er det Sankthans som gjelder, med feiring, bal og fest, men det a feire midtsommer har tradisjoner mye eldre enn kristendommen. Ved a kalle utstillingen, eller installasjonen, June Twenty-First, pakaller Marsh en positiv stemning assosiert med sommer, sol, fest og ritualer. Tittelen har tilsynelatende ikke noe umiddelbar sammenheng med verkene utstilt, annet enn at apningen falt pa denne fredagen. Sammenhengen ma vi derfor reflektere rundt selv, hjulpet av introduksjonen pa entrees nettsider, ogsa de for anledningen rod- og gulrutet lik monsteret pa skjermene og ett av flaggene i visningsrommet.

Gjennom tittelens referanse til sommersolverv soker utstillingen, ifolge nettsiden, a vise hvordan vi gjennom deltakelse i storre eller mindre feiringer, tilstelninger og ritualer ogsa er del av et storre system, faktisk et kosmisk system. Denne forbindelsen synes svaert subtil i opplevelsen av installasjonen, det er ikke lett a fa fatt i hvordan kunstnerens overordnede budskap skal overfores. Men den nye publikasjonen av apis Press, lansert samme dag og i forbindelse med utstillingen, med tekster av eleanor Clare, kan kaste lys over Marshs inspirasjonskilder, og hvordan vi kan tolke tittelen og verkene utstilt.

IMG_0422

Dillan Marsh June Twenty-First, 2013. Foto: Randi Grov Berger

I tillegg til a havne pa arets lengste dag, markerte apningen av June Twenty-First lanseringen av nevnte publikasjon, og lanseringen av forste utgave av Utstillingsguide for Bergen (utstillingsguide.no). Vernissagen markerte altsa flere begivenheter og gjorde installasjonen i seg selv til en arena for festligheter og feiring. Og det er en positiv opplevelse a vaere i rommet med de bevegelige skjermbildene og soylene av dekk og trommer og hjelmer, de sterke fargene og den litt skarpe lukten. Som installasjon har Marsh fatt mye ut av entrees lokaler, det er en vellykket bruk av rommet.

Installasjonen kan leses og tolkes pa mange mater, det er mye a ta av bade i referansene og i opplevelsen av rommet, og er vel verd et besok.  Men pa tross av at jeg aner noen interessante assosiasjonene rundt ritualer, systemer og var alles soken etter tilhorighet og plass i den store sammenhengen, ma jeg innromme at jeg fremdeles finner det litt vanskelig a losrive meg fra inntrykket av a vaere pa et MotorGP-lop.




Tags: work / exhibition / commerce / competition / stage / red / text / repeat / loop / box / arena / race / structure / cycle / driving / drive / circle / Norway / 2013 / action / sculpture / Entree / New_Age / noise / yellow / solar / process / June_Twenty_First / gallery / connection / new / midsummer / solstice / summer / Randi_Grov_Berger / march / arch / review / motorcycle / Camilla _Brochs-Haukedal / Kunstforum /


LSK 2013-07-02

LSK

Tags: research / competition / sport / stand / arena / energy / team / stadium / motivation / noise / black / yellow / show / sound / machismo / crowd / club / league / barrier / LSK / fan / football /


Robert Fludd The Tuning of the World 2012-11-02

Robert Fludd The Tuning of the World R. Murray Schafer the earth forms the body of an instrument across which strings are stretched and are tuned by a divine hand. We must try once again to find the secret of that tuning.

Tags: research / energy / space / sun / noise / religion / black / order / sound / geometry / music / audio / acoustic / Robert_Fludd / 1617 / chord / R_Murray_Schafer /


car stereo 2012-08-26

car stereo car stereo car stereo car stereo

Tags: research / competition / photograph / equipment / facade / sport / vehicle / transport / movement / car / driving / drive / desire / noise / cabinate / sound / modified / big / audio / speaker / listening / sub / cone /


Advanced Audio 2012-08-26

Advanced Audio

Tags: research / exhibition / competition / equipment / vehicle / car / movement / driving / noise / incomplete / sound / modified / big / audio / status / speaker / listening / mdf / sub /


sub wall 2012-08-26

sub wall sub wall

Tags: research / competition / photograph / equipment / vehicle / transport / driving / noise / sound / modified / big / engine / pile / audio / wall / speaker / listening / sub / cone /


Acoustic Mirror Kilnsea 2012-08-25

Acoustic Mirror Kilnsea Acoustic Mirror Kilnsea Acoustic Mirror Kilnsea Acoustic Mirror Kilnsea

Tags: research / photograph / arena / structure / architecture / empty / communicaton / noise / sound / big / residue / audio / accumulator / panoramic / dome / wall / wave / speaker / listening / mirror / giant / acoustic / obsolete / transmissions / military / concrete / 2007 / Kilnsea /


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